Antisemitism has reared its ugly head again in various forms, and perhaps nowhere is this more evident than in the world of publishing. For far too long, those involved in the literary and cultural sphere have allowed biases to persist unchecked, often crossing the line into overt hostility. This is especially true when it comes to attitudes about Israel, which have become a focal point for many individuals and organizations. It’s time to have an honest conversation about the antisemitism that continues to plague this industry and work towards creating a more inclusive, respectful environment for everyone.

For years, certain corners of publishing have harbored deep-seated biases against Jews and Israel. This is not just a matter of isolated incidents but a systemic problem. From authors to editors, agents to publishers, the prevalence of antisemitic rhetoric and attitudes has become disturbingly widespread. There is a trend, particularly among some progressive circles, where Israel’s right to exist is frequently questioned, and its supporters are often cast as part of a larger conspiracy. These views, which can morph into antisemitism, have found a foothold in the literary community.

The problem isn’t limited to just political discourse. It manifests in the treatment of Jewish authors, the themes of their works, and even in how their works are marketed and received. Jewish writers have often been dismissed, ignored, or even condemned for expressing opinions that are in any way sympathetic to Israel or its people. At the same time, those who take anti-Israel stances are sometimes celebrated, regardless of the inflammatory rhetoric they may espouse. The publishing industry’s apparent willingness to overlook these biases is not only damaging to Jewish writers, but also to the overall integrity of the literary community.

It is crucial to understand that this isn’t a case of “free speech” or political disagreement. Antisemitism goes beyond political ideologies and reaches into the realm of prejudice and hatred that affects people on a deeply personal level. Israel, like any other nation, has its flaws, but questioning its right to exist or demonizing its people based on their ethnicity or religion is unacceptable. Yet, in many parts of the publishing world, such sentiments are often given a free pass. What is worse, these views are sometimes given the appearance of intellectual legitimacy or progressive activism.

The literary world must take a hard look at the way it engages with the subject of Israel and Jews. It’s no longer enough to claim neutrality or to shy away from addressing uncomfortable truths. If we are serious about combating racism in all its forms, we must actively stand against antisemitism in publishing. This means rejecting any ideology that seeks to undermine the legitimacy of Israel, as well as confronting those who perpetuate harmful stereotypes or discriminatory practices.

There is a responsibility on all of us — from writers to readers, from editors to publishers — to hold each other accountable. We must challenge the toxic rhetoric that has crept into the discourse, ensuring that it no longer has a place in the publishing world. We need to create spaces where Jewish writers and readers can express themselves freely, without fear of being marginalized or vilified for their beliefs.

This also means acknowledging the impact that unchecked antisemitism has had on Jewish authors. Many Jewish writers, particularly those who express support for Israel or even those who are simply perceived to be Jewish, have been systematically excluded or vilified by certain segments of the literary world. This has created an environment of fear and silence for many Jewish voices, as they worry about how their work will be received or whether their personal beliefs will be used against them. It is essential that the publishing world stands up and says, “No more.”

The first step in addressing antisemitism in publishing is acknowledging it exists. The next step is to speak out against it. This will require individuals and organizations to take a stand, even when it is difficult. But the alternative — allowing these biases to go unchallenged — is far worse. It is time for the publishing industry to recognize the growing problem of antisemitism and work together to root it out. Only by doing so can we create a truly inclusive and diverse literary community that reflects the values of fairness, respect, and understanding.

It is time for publishing to take action. It’s time to stand up to antisemitism and ensure that the industry is a place where all voices are heard, valued, and respected — no matter their background or beliefs.